
Highlights · 8
…and would eventually return to the same sunny, often he could swear haunted, landscape to get married, one afternoon on a smooth gold green California hillside, with oak in darker patches, a freeway in the distance, dogs and children playing and running, and the sky, for many of the guests, awriggle with patterns of many colors, some indescribable. “Frenesi Margaret, Zoyd Herbert, will you, for real, in trouble or in trippiness, promise to remain always on the groovy high known as Love,” and so forth, it may have taken hours or been over in half a minute, there were few if any timepieces among those assembled, and nobody seemed restless, this after all being the Mellow Sixties, a slower-moving time, predigital, not yet so cut into pieces, not even by television. It would be easy to remember the day as a soft-focus shot, the kind to be seen on “sensitivity” greeting cards in another few years. Everything in nature, every living being on the hillside that day, strange as it sounded later whenever Zoyd tried to tell about it, was gentle, at peace visible world was a sunlit sheep farm. War in Vietnam, murder as an instrument of American politics, black neighborhoods torched to ashes and death, all must have been off on some other planet. Music was by the Corvairs, these days calling themselves surf- adelic, though the nearest surf at the moment was at Santa Cruz, forty miles away over farm roads and murderous mountain passes, and they had to contend with the traditional beer-rider haughtiness of the area still, in later years, try as Zoyd might to remember everything at its most negative, truth truth was there’d been no brawls or barfing or demolition derbies, everybody had got along magically, it was one of the peak parties of his life, folks loved the music, and it went on all night and then the next, right on through the weekend.
p. 38
But for Frenesi the past was on her case forever, the zombie at her back, the enemy no one wanted to see, a mouth wide and dark as the grave.
p. 71
She was too young then to understand what he thought he was offering her, a secret about power in the world. That’s what he thought it was. Brock was young then too. She only took it as some parable about his feelings for her, one she didn’t exactly understand but covered for with the wide invincible gaze practiced by many sixties children, meaning nearly anything at all, useful in a lot of situations, including ignorance.
p. 214
“No.” And then he told her, carefully, in detail often crude enough to make her afraid, of Weed’s visits to downtown San Diego for “therapy sessions,” Brock called them - “Too much math, too many abstract ideas, so we gave him some reality, just enough, to counteract that, no worse than going to the dentist. Till after a while he could begin to see our side.”
p. 240
She looked carefully around the front. “It’s loaded.” “When these little left-wing kiddie games come apart, things often turn dangerous.” “And you’re thinking of my safety, Brock how sweet, but come on, it’s only rock and roll.” His eyes were brimming with gelatinous tears and his voice was higher in pitch. “Sooner or later the gun comes out.” “I don’t believe that.”
p. 240
A California beach town, the houses tightly crowded, nearly all of glass, huge windows that were really glass walls, all trembling at the wind off the ocean, would be partly engulfed by a tidal wave, long announced, daylit transparent green, flowing smoothly in, with plenty of time for people to get to higher ground, bringing the sea in up the hillside exactly to the level of the house Frenesi was in, observing. Though everyone in town was safe, the beaches were gone, and the lifeguard towers and volleyball nets, and all the expensive beachfront houses and lots, and the Piers, all covered by the cool green Flood, which almost paralyzed her with its beauty, its clarity… for “days” she could watch nothing else, while around her the town adjusted to its new shoreline and life went on. Late at “night” she went out on her deck and stood just above the surf, looking toward a horizon she couldn’t see, as if into a wind that might really be her own passage, destination unknown, and heard a voice, singing across the Flood, this wonderful song, the kind you heard stoned over at some stranger’s place one night and never found again, telling of the divers, who would come, not now but soon, and descend into the Flood and bring back up for us “whatever has been taken,” the voice promised, “whatever has been lost….”
p. 256
+2 more highlights withheld.